2.Close-up - as Mark answers the phone.
3.Extreme close-up - shows panic on Mark's face.
4.Establishing shot - show the location.
5.Long shot - emphasis on Mark walking.
6.Tracking shot - camera tracks up as Mark walks.
7.Mid Shot- shows from waist upwards to show his body language.
8.Extreme Long Shot - as Mark makes his way up the bridge to his unknown demise.
9.Long shot- shows gangster creep up the bridge.
10.Point Of View Shot- show the gangsters views of Marks fear.
11.Close-up - show the fear on Mark's face.
12.Long Shot - on Mark has he struggles to escape from his torturers.
13.Medium shot - shows more of Mark's upper body in his struggle.
14.Close-up - exaggerates the fear in Mark's face.
15.Over the shoulder shot - to try and feel the character's fear, look through his eyes.
16.Eyeline match - so it's easy to notice that each character is on the same level.
17.Long shot - show Mark's inferiority.
3.Extreme close-up - shows panic on Mark's face.
4.Establishing shot - show the location.
5.Long shot - emphasis on Mark walking.
6.Tracking shot - camera tracks up as Mark walks.
7.Mid Shot- shows from waist upwards to show his body language.
8.Extreme Long Shot - as Mark makes his way up the bridge to his unknown demise.
9.Long shot- shows gangster creep up the bridge.
10.Point Of View Shot- show the gangsters views of Marks fear.
11.Close-up - show the fear on Mark's face.
12.Long Shot - on Mark has he struggles to escape from his torturers.
13.Medium shot - shows more of Mark's upper body in his struggle.
14.Close-up - exaggerates the fear in Mark's face.
15.Over the shoulder shot - to try and feel the character's fear, look through his eyes.
16.Eyeline match - so it's easy to notice that each character is on the same level.
17.Long shot - show Mark's inferiority.
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